Associate Professor of German Graduate Coordinator Study Abroad in Berlin Co-director Jan Uelzmann teaches courses on all aspects of German studies, with a particular emphasis on 20th century culture, literature, and media. Before coming to UGA, he served as Associate Professor of German and Associate Chair of the School of Modern Languages at Georgia Tech. He has directed study abroad programs in Germany for over ten years and serves as the co-director (with Berna Gueneli) for the new Film, Art, and Cultural History in Berlin study abroad program in Berlin, which had its first run in summer 2024. His research merges approaches from cultural history, cultural studies, film studies, and literary studies to explore questions related to post-WWII democratization, governmental media policies of the Adenauer period, Cold War politics, early images and conceptions of Europe, and the provisional capital Bonn. His book Staging West German Democracy: Governmental PR Films and the Democratic Imaginary, 1953-1963 (Bloomsbury Academic, 2019) examines how political “founding discourses” of the nascent FRG were reflected, reinforced, and actively manufactured by the Federal government through PR films produced in conjunction with the West German newsreel system Deutsche Wochenschau. He has published widely on West German postwar cultural history, film and literature, and his articles have appeared in German Studies Review, The German Quarterly, Monatshefte, Seminar, Colloquia Germanica, and Journal of Cold War Studies. Research Research Interests: Book: “Staging West German Democracy” Governmental PR Films and the Democratic Imaginary, 1953-1963 My book examines how political “founding discourses” of the nascent Federal Republic were reflected, reinforced, and actively manufactured by the West German, state-owned newsreel system, the Deutsche Wochenschau (DW). This study reconstructs the DW’s integral role in providing pro-government propaganda in a democratic media system through documentary films that the DW produced for the federal government. Dubbed Kanzlerfilme (chancellor-films), these films report on Federal Chancellor Konrad Adenauer’s political achievements, the provisional capital Bonn, or on foreign policy events, such as Adenauer’s state visits to the US, France or the Soviet Union, and on visits to the FRG by US Presidents Eisenhower and Kennedy. The films unabashedly celebrate Adenauer and his political achievements for the FRG. By looking at the institutional history of the DW and its close relationship to the Government Press Office (Presse- und Informationsamt der Bundesregierung), I trace the Adenauer administration’s project of maintaining a “government channel” in an increasingly diverse, de-centralized and democratic West German media landscape. In my analysis of the films, I argue that apart from providing election propaganda for Adenauer’s CDU party, these films provided an important stabilizing factor for the FRG’s project of explaining and promoting democracy to its citizens, and of defining its public image and its new capital Bonn against the Nazi past and the GDR. Combining approaches from cultural history, film studies, history, and sociology, this project will help close an evident research gap on West German newsreels and add in important ways to our understanding of the media’s role, particularly the role of propaganda, in the West German nation building process. Education Ph.D. Germanic Studies, The University of Texas at Austin Selected Publications Books Staging West German Democracy: Governmental PR Films and the Democratic Imaginary, 1953-1963. New York: Bloomsbury, 2019. Journal Articles and book chapters "Towards Prosperity and Peace: The Beginnings of the European Project in the West German Governmental PR Film Der erste Schritt," Seminar: A Journal of German Studies 60.3 (2024): 235-256. “German Technology and Education for ‘Young Nations:’ The Cold War Politics and Aesthetics of Development Aid in two West German Government PR Films of 1961.” In Science on Screen and Paper: Media Cultures of Knowledge Production in Cold War Europe, edited by Mariana Ivanova and Juliane Scholz, 230-251. New York: Berghahn Press, 2024. "The Wall in People's Heads: Teaching About the Long-Lingering Aftermath of the Fall of the Berlin Wall." Hiram Maxim and Katherine Arens (eds.) Celebrating Janet Swaffar: A Festschrift. Austin: Agarita Press, 2023. 111-146. "Backlash Against Bonn: The Building Freeze in the Bonn Federal District and the 'Berlin Initiatives" of 1956", German Studies Review 46.1 (2023): 35-56. “Foundational Narratives: West German Nation-Building through State-Sponsored PR Films, 1953-1963.” Jennifer Kapczynski and Caroline Kita (eds). The Arts of Democratization: Styling Political Sensibilities in Postwar West Germany. Ann Arbor: The University of Michigan Press, 2022. 209-229. “Building Domestic Support for West Germany's Integration into NATO, 1953-1955", Journal of Cold War Studies 22.2 (2020): 133-162. "Symbolic Homecoming of the 'Hero-Father': Realignment of National Memory in the Neue Deutsche Wochenschau Special Feature on Konrad Adenauer's 1955 State Visit to Moscow", Colloquia Germanica 45.1 (2012/15): 41-68. "Bonn, Divided City: City Scape as Political Critique in Wolfgang Koeppen's Das Treibhaus and Günther Weisenborn's Auf Sand gebaut", Seminar: A Journal of German Studies 50.4 (2014): 436-460. Other Relevant Academic Information Provost Fellow for Faculty Development, Georgia Tech, 2022 Texas Foreign Language Teaching Excellence Award, College of Liberal Arts, The University of Texas at Austin, 2011
